When confronted with the view of Atlanta’s skyline I can’t help but note the differences in the structure, it includes everything from the incredibly old and beautiful to the modern, chic buildings. Although not all buildings are to each of these extremes neither are they all beautiful or interesting ( let’s be honest) but they do share a similar qualities. These buildings all serve a purpose, share a history/story of their existence, and contribute to the culture that is Atlanta. Why bring up such obvious inquiries, you may ask. It is because as human beings we become so accustomed to seeing the same things and eventually taking our scenery or surroundings for granted. We do not realize that the streets and roads we may walk or travel on every day have been there long before we have. They have been there collecting stories of the people before us and eventually after us. Although this may seem irrelevant to those of us who are here in Atlanta to attend Georgia State University and earn our degrees, it is very much applicable to our everyday travels around campus.
When conversing with my fellow SIFs about what project to bring to life this semester, we began to discuss the findings of old maps and historical evidence of our beloved centrally located Georgia State campus. We came to discuss that the block of Decatur st. and Peachtree center Ave. has a historical significance connected with the famous 1930’s blues scene in Atlanta. This block was very important during the times of the depression and was the hub for most all serious African American blues artists. Some key buildings/landmarks included theatre 81, Dinkins-Davidson Hardware co., and PF camp in addition to several small shops that included shoe shops and hat shops.
I was very interested in the topic and when I began to research I found very interesting cultural and social information of the time: When the depression began in 1929, Americans were rapidly losing all hope and their standard of living. Blues artists began to see the possibility of making some money off of playing music in Atlanta so they flocked here during that time. All African American blues artists preferred decatur street because they were free here from the humiliation of segregation and judgement from whites. African Americans enjoyed theatre 81 exactly for that reason. It was a crucial landmark during this time, it housed famous blues artists like Ma Rainey, Bessie Smith, and Blind Willie McTell. The district of Decatur street was very accepting of musicians, peddlers, and prostitutes. People would congregate in this district around parked trucks of moonshiners. When the moonshiners were shut down the prostitutes went on a strike because they were no longer getting any business due to the lack of moonshine. As you can tell there is a lot of history to already tell about this area that seems so familiar to us today but can tell us a completely different story of a different age.
So where exactly around campus was this located? Ironically enough where theatre 81 once stood as a musical hub, is now what we know as the Georgia State University library. You may also ask, how exactly can you create a project out of this especially while our specialty for the project is to use a 3D scanner and a program called agisoft. Although the plans are still in their early preliminary stages, here it is: Our goal is to create an interactive 3D model/map of the the block during its time. We are attempting to create an accurate portrayal of the area and display its significance and relevance to the university.
I am very excited to continue to research such a significant time period in Atlanta, and to continue learning more about the campus I walk around everyday.
This sounds like a very interesting project. Have you discussed how the model will be turned into an interactive surface yet?
Thank you! We have spoken in very vague terms about the interactive model, but I believe that it will be done using agisoft.
Have you uncovered anything interesting with your findings? Perhaps how the communities and areas have been changed since the 1930s and what were the effects of these changes? I remember taking a mapping Honors Seminar with Brennan and we uncovered lots of historic music and theater locations where the campus stands today. Also, Joe and Brennan showed us how you can overlap maps to see the changes overtime. Have you tried doing this by any chance?
Yes, we actually have an old tax map of the time and with that map we are able to pinpoint businesses and articles centered on this block! although very few pictures are found, finding old picture of the university is great. If you read some of my other posts about this project I continually provide updates of my findings and might answer your questions.