kcarver7's Site

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Final

https://karleighcarverr.w3spaces.com

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04/12/2024

This week, I got my photos uploaded for my production and cameras work sites. I’m still working on formatting the URLS for them to look how I want them to lookk, which should be done by this weekend. I am also still thinking about changing the design. Green isn’t really my color.

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Progress Update 4/05

This week, I got my scripts uploaded the the Space. It took me a while, but I got them linked in my portfolio section eventually. I went ahead and made headers for my Production Design and Camera Work sections, but I need to stylize it better. I know it’s a task but I kind of want to change the whole theme of my site to fit me better. Next week, I’m gonna focus on getting my galleries for the other two sections completed and uploaded. Following that, I am going to work on stylization until I’m satisfied.

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Progress Update

For this week, I focused on gathering all of my portfolio materials into my hard drive. I’ve got my screencaps and set photos uploaded to the site, but unlinked. I need to figure out a way to get previews of my scripts up, too, without posting the whole things.  I feel like most of the work so far has been some sort of version of following templates, so I’m going to have to try really hard to code everything into my site properly in the following weeks. I plan to spend the next week just getting the basics up, and focus on editing and making it look neat in the week after.

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Week 06 – Make It Your Own

This week was the hardest week so far, to me. I’ve learned that coding is definitely not my specialty and that it’s something I’ll have to practice with over time. Most of it was easy… and then we got to the image part. I could not figure out what I was doing wrong for the life of me. I looked to the example page and tried to inspect the element and copy what I saw there, but that did not work. I ended up resorting to Copilot in the end. I uploaded my script and asked what I was doing wrong. It helped me out tremendously. In the future, I’m going to have to work on that. I need to play around more with the site. I’ve got the materials I plan to upload already, I just need to figure out how to actually do it.

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Week 04 – AI Portfolio Reconnaissance

My first prompt was aimed at Bard, saying: “Can you tell me what an entry-level screenwriter’s portfolio might look like?” (I also used production designer, but I found the results for screenwriter more engaging (as I’m not decided between the two paths yet)).

 

Here’s what it gave me:

Entry-Level Screenwriter Portfolio: Scripting Your Way to Success

As an aspiring screenwriter, your portfolio is your golden ticket to industry opportunities. Here’s how to craft an entry-level portfolio that grabs attention:

Content:

  • Spec scripts: These are your bread and butter! Write spec scripts for existing shows you admire, demonstrating your ability to capture their style while adding your own spin. Choose diverse genres and formats (sitcom, short film, drama) to showcase your versatility.
  • Original scripts: Show off your storytelling chops with unique short film or one-act play scripts. Focus on compelling characters, engaging narratives, and clear understanding of structure.
  • Micro-shorts: Punchy scripts under 10 pages are ideal for online platforms or film festivals. They prove your ability to tell impactful stories concisely.
  • Loglines and synopses: Include loglines and synopses for various script ideas. These concise, intriguing summaries entice potential readers and showcase your ability to hook them in.

Presentation:

  • Industry-standard formatting: Use professional scriptwriting software like Final Draft or Celtx. Ensure your scripts are easy to read with proper formatting, spacing, and font.
  • Error-free and polished: Meticulous proofreading is crucial. Eliminate typos, grammatical errors, and formatting inconsistencies.
  • Visually appealing: Consider creating a website or online portfolio with a user-friendly interface. Showcase your work in a visually engaging and well-organized manner.
  • Targeted approach: Tailor your portfolio to specific writing jobs or opportunities. Highlight relevant scripts and emphasize elements that resonate with the project’s genre, tone, and requirements.

Bonus points:

  • Awards and recognition: Include any awards or recognition received for your writing, even from student competitions or online platforms.
  • Positive feedback: Share testimonials or positive feedback from industry professionals or readers who’ve reviewed your work.
  • Relevant skills: Highlight additional skills like storyboarding, film knowledge, or experience in writing workshops or film production.

Remember:

  • Quality over quantity: Prioritize well-written, polished pieces over a large collection of average scripts.
  • Seek feedback: Get constructive criticism from writing groups, mentors, or script consultants to refine your work.
  • Network: Attend industry events, online forums, and connect with other writers to build your network and gain exposure.

Additional Tips:

  • Logline first impressions: A strong logline can grab attention immediately. Make sure it’s clear, concise, and intriguing.
  • Include character breakdowns: Briefly describe your main characters, showcasing your understanding of their motivations and personalities.
  • Show, don’t tell: Focus on using vivid descriptions and action lines to bring your story to life.
  • Be authentic: Let your unique voice and storytelling style shine through.

By following these tips and focusing on strong content, professional presentation, and showcasing your storytelling talent, you can create an entry-level screenwriter’s portfolio that will open doors to your dream career!

 

I then sent a follow up question asking: “Can you give me some examples of spec scripts and how to craft them?” To which it gave me:

 

Spec Script Examples and Crafting Tips:

Examples:

  • “Pulp Fiction” by Quentin Tarantino: This iconic script was originally written as a spec for an anthology series,showcasing Tarantino’s distinctive style and ability to blend genres.
  • “Seinfeld” by Larry David and Jerry Seinfeld: This legendary sitcom pilot was originally a spec, demonstrating the duo’s comedic voice and observational humor.
  • “Get Out” by Jordan Peele: This chilling spec script tackled social horror through a fresh lens, grabbing attention with its originality and social commentary.
  • “Black Swan” by Darren Aronofsky: This psychological thriller was a spec script that explored themes of identity and obsession, showcasing Aronofsky’s visual storytelling and complex character development.

Crafting Tips:

  • Choose the right show/genre: Select a show you admire and understand its tone, characters, and storytelling style. Avoid derivative ideas and aim for a fresh take within the established universe.
  • Focus on a strong central story: While staying true to the show’s format, craft a compelling episode with a clear conflict, engaging characters, and a satisfying resolution.
  • Nail the characters: Capture the essence of existing characters while introducing your own unique voice and dynamics. Show your understanding of their motivations, relationships, and potential for growth within the episode.
  • Maintain consistent formatting: Use industry-standard script formatting to ensure your script is professional and easy to read.
  • Write with confidence: Don’t be afraid to showcase your unique writing style and voice, even within an existing universe.

Additional Resources:

  • The Black List: A platform for uploading, sharing, and getting feedback on your scripts.
  • Script Lab: Online platform offering script analysis and coverage services.
  • ScreenCraft: Website with resources, articles, and forums for screenwriters.
  • Books: “Save the Cat! Writes a Script” by Jessica Brody, “Story” by Robert McKee, “Bird by Bird” by Anne Lamott.

Remember, crafting a successful spec script requires dedication, understanding of the chosen show/genre, and a compelling story. Don’t be afraid to experiment, seek feedback, and refine your work to showcase your storytelling potential!

 

My follow-up to that was: “Can you give me some entry-level screenwriter networking opportunities in Atlanta or the greater Georgia area?” and I received: 

Sure, here are some entry-level screenwriter networking opportunities in Atlanta or the greater Georgia area:

  • Attend industry events:
  • Atlanta Film Festival: Held annually in April, this prestigious festival showcases independent films and features panels, workshops, and networking opportunities for aspiring filmmakers and screenwriters.
  • filmfreeway.com
  • Atlanta Film Festival 
  • BronzeLens Film Festival: This festival celebrates the work of Black filmmakers and screenwriters in Atlanta, offering networking events, workshops, and pitch sessions.
  • filmfreeway.com
  • BronzeLens Film Festival 
  • Dragon Con: This massive pop culture convention attracts industry professionals and fans, providing opportunities to connect and showcase your work.
  • www.atlantamagazine.com
  • Dragon Con 
  • Killer Film Festival: This festival focuses on genre films like horror, thriller, and science fiction, and offers networking events and panels for aspiring screenwriters.
  • www.filmlinc.org
  • Killer Film Festival 
  • Out on Film: This LGBTQ+ film festival features panels, workshops, and networking events for filmmakers and screenwriters.
  • www.allocine.fr
  • Out on Film 
  • SCAD Savannah Film Festival: Held annually in October, this festival offers screenings, panels, and workshops for aspiring filmmakers and screenwriters.
  • www.scad.edu
  • SCAD Savannah Film Festival 
  • Join professional organizations:
  • Atlanta Screenwriters Workshop: This organization offers workshops, script consultations, and networking events for screenwriters of all levels.
  • www.atlantafilmsociety.org
  • Atlanta Screenwriters Workshop 
  • Women in Film & Television Atlanta: This organization supports and empowers women in the film and television industry, offering networking events, workshops, and mentorship programs.
  •  
  • www.womensbusinessdaily.com
  • Women in Film & Television Atlanta 
  • Georgia Production Partnership: This organization connects filmmakers with resources and opportunities in Georgia, and offers networking events and workshops.

ozmagazine.com

  • Georgia Production Partnership 
  • Southeast Emmy Chapter: This organization holds networking events and awards programs for professionals in the television industry in the Southeast, including Georgia.
  • en.wikipedia.org
  • Southeast Emmy Chapter 
  • Take advantage of online resources:
  • Stage 32: This online platform connects filmmakers and screenwriters with industry professionals and offers networking opportunities, script contests, and educational resources.
  • en.wikipedia.org
  • Stage 32 
  • The Black List: This website allows you to upload your scripts for feedback from industry professionals and connect with other screenwriters.
  • www.imdb.com
  • Black List 
  • Script Reader Pro: This website offers script coverage services and connects screenwriters with industry professionals.
  • www.scriptreaderpro.com
  • Script Reader Pro 
  • MovieMaker Magazine: This online magazine offers articles, interviews, and resources for aspiring filmmakers and screenwriters, including networking opportunities.
  • www.ebay.com
  • MovieMaker Magazine 
  • Network with other screenwriters:
  • Attend local writing groups or workshops.
  • Connect with other screenwriters on social media or online forums.
  • Attend industry events and introduce yourself to other attendees.
  • Don’t be afraid to reach out to established screenwriters or filmmakers for informational interviews.

By taking advantage of these opportunities, you can start building your network and make connections that could help you advance your career as a screenwriter.

As I’ve said in previous posts, I find the networking part of the film industry to be the most challenging for me. Through these prompts, I was able to actually get some advice on how to make some headway in that. I wasn’t really expecting much from the last prompt, but it surprised me. I will definitely be checking out The Black List and Stage 32! I’d also never heard of spec scripts up until now, so it was interesting to learn about those and how they can help you. It can be helpful when you’re in a writer’s rut and can’t come up with new source material to practice with on your own. Overall, I found the search really informative.

I’m in a screenwriting class right now for writing shorts. I think when I finish the one I’m working on, I’ll upload it to one of the site’s Bard gave me and go from there. Or, if I can get enough people on board, I could try to produce it and get it into one of next year’s festivals.

 

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Week 03 – Career Coach

Before putting in the prompt to start this week’s assignment, I went through each of the AIs listed. I was already familiar with ChatGPT, so I skipped that one in favor of the others to get something different. I’d say out of all of them, my favorite was probably Bard, so that’s what I used for this assignment. I was excited to try Copilot, but I could never get it to load properly.

 

Moving on, here’s the prompt I used to kickstart feedback: “I am about to graduate from college with a degree in Film and Media . I want to find a production design entry level position in the film industry. What skills do I need to demonstrate? What kinds of artifacts should I have to show I have those skills? What are some resources that I should pursue to help me learn about what I need to do to find my first industry film job?”

 

The long, and surprisingly helpful, response I was met with is as follows:

 

Congratulations on approaching graduation! Landing your first entry-level production design job in the film industry requires showcasing your skills and passion in a compelling way. Here’s how you can prepare:

Demonstrating Skills:

  • Visual Storytelling:
    • Portfolio with your own set designs, props, and mood boards.
    • Student films you’ve designed for, highlighting your contribution.
    • Skills in digital rendering software like SketchUp, 3ds Max, or Cinema 4D.
  • Technical Expertise:
    • Strong knowledge of construction materials and set building techniques.
    • Understanding of color theory, lighting, and composition.
    • Proficiency in 2D drafting software like AutoCAD or Vectorworks.
  • Collaboration and Communication:
    • Experience working with directors, cinematographers, and costume designers.
    • Strong communication and presentation skills.
    • Ability to handle time pressure and adapt to changes.

Artifacts to Showcase:

  • A strong online portfolio:
    • Professionally curated with high-quality visuals.
    • Clear explanations of your design choices and process.
    • Tailored to the specific types of projects you’re interested in.
  • Relevant coursework projects:
    • Highlight impactful assignments that showcase your creative and technical skills.
    • Include mood boards, sketches, and final set designs.
  • Independent projects:
    • Design personal projects that demonstrate your passion and initiative.
    • Collaborate with other student filmmakers to gain production experience.

Learning Resources:

  • Professional Organizations:
    • Join the Art Directors Guild (ADG) or Set Decorators Society (SDS) for access to resources, workshops, and networking events.
  • Online Courses:
    • Enroll in online courses by platforms like Lynda or Skillshare to learn specific skills like set drafting or 3D rendering.
  • Industry Publications:
    • Read magazines like Variety, Production Design Magazine, and Set Decor to stay updated on industry trends and job openings.
  • Shadowing and Internships:
    • Reach out to established production designers to shadow them on set.
    • Find internship opportunities with film production companies or studios.

Additional Tips:

  • Network actively:
    • Attend industry events, film festivals, and career fairs.
    • Connect with professionals on LinkedIn and build relationships.
  • Tailor your resume and cover letter:
    • Highlight skills and experiences relevant to the specific job you’re applying for.
    • Show your understanding of the production company and their projects.
  • Be persistent and patient:
    • Breaking into the film industry takes time and effort.
    • Don’t get discouraged by rejection, keep learning and improving your skills.

Remember, passion, dedication, and a continuous learning spirit are key to succeeding in the film industry. By showcasing your skills through your portfolio, gaining relevant experience, and actively networking, you’ll be well on your way to landing that dream production design job!

 

 

I already knew most of the information that was given back to me, but I like how cleanly the AI explained it. They didn’t use any extravagant terms and actually made it seem like it was something feasible, rather than a pipe dream. 

I then went on to ask some of the following questions provided in the assignment post and Bard gave me some insight into the Set Directors Society and networking.

All in all, I think this assignment was genuinely helpful. For one, I didn’t even know about the SDS. The AI also seemed to take a comforting and supportive tone, if that makes any sense? It wasn’t just cold and factual. I’ve started to build a mock portfolio on Carrd (which is totally free) just to get a feel of how to navigate website controls. I’ve also set aside the time to start going back through my student projects to get material from those. I’m still nervous going into graduation, but I know it’ll all be okay in the end.

 

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Week 02 – Job Reconnaissance

For this week’s assignment, I used a plethora of websites. My primary sources were Indeed, Glassdoor, and Facebook. Getting a foot in the door in the film industry can be daunting if you don’t have any prior connections, so I limited my search to terms like ‘production assistant’. I don’t have the funds to relocate myself at the moment, so I limited my search to Georgia and surrounding areas. The film industry has been growing here for the past couple of years, so I was able to get some results. Most of the ones I found were for news broadcasting or documentaries, which aren’t really the kind of stories or environments I’m interested in, if I’m being honest. Beggars can’t be choosers, though! I still looked at them as closely as the few fiction production assistant gigs I found.

Most of the positions weren’t looking for a lot of experience, per se, as much as they were looking for capability and a willingness to learn. Most of them highlighted ‘good attitude’ and ‘apt communication skills’, and that makes sense. Being a production assistant is a lot of being bossed around and told what to do. Some of the Warner Brother positions in Atlanta asked for Adobe licenses/experience, which, thankfully, I have. They asked that you be on time, which is a given. Some of the lesser-paying positions preferred that you have your own vehicle. Nothing was too specific in the realm of production design because production assistants are doing a plethora of things.

I do imagine, though, that if you demonstrated your interest in the industry for the long term, you would probably be favored over other candidates. They might see you as a potential rehire or just take more of an interest in you. I’ve started working on my portfolio for this class and beyond, trying to gather screenshots and items to use for it. I’ve worked as the Director of Photography, Production Designer, 2nd AC, and other positions in some short films, so I’m trying to get screen apps and pictures of sets to demonstrate my abilities. I’ve also written a pilot for another class and a pitch deck that I’m fond of, but I’m kind of scared to just put that out there on a website. I need to decide which website builder I’m going to use and get started on all of that shortly so I can hopefully get some feedback!

My experience doing this research just affirmed to me more than ever that I need to get my portfolio up and public for employers to see. Without it, they have no idea who you are or what you can do. It’s also reaffirmed for me that it’s going to be a long and hard road to get into the film industry, and I’m going to have to work for it if I want it. I think I’m a bit overwhelmed, as I’m sure most students are, but I’m also optimistic. The industry is only growing in Georgia, and I’m sure there’s somewhere for me to get my foot in the door!

 

 

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Week 01 – Career Aspirations

Coming into college as a Film and Media major, I wasn’t 100% sure of what I wanted to do, originally. The industry itself is very broad. Put myself out there and act or direct? Stay behind the scenes, out of sight? Over the past four years, I’ve tried a lot of different positions, all of which are very unique and require different skill sets. I think I’ve come to narrow it down to two: script writing and production design. I have a large passion for both. Taking the GSU partner classes with Georgia Film Academy helped me out a lot in deciding. That, as well as taking on student projects with some of my friends. I’m almost at the end of my college career, and I want to utilize this class to help me shape my portfolio for the future. It’s basically your lifeline in the industry, so it helps to be presentable and organized. I think learning to build my portfolio digitally and having it established will help out a lot when applying to future internships or jobs. Hopefully, it can be a networking point as well and I can trade portfolios with others in the class with similar career aspirations. Networking is something I find to be a challenge, so I’m aiming to improve at it over the course of the semester with the help of this class.

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