Othello at The Abbey Theatre and Forgiveness

Last night, we all went to see Othello at The Abbey Theatre, Ireland’s national playhouse. The stage was minimal and beautiful. The actors were convincing. I thought that the lead, Othello, portrayed Shakespeare’s character in a compelling way. Before the play, we had a nice dinner. Delicious food and great view of Trinity College Dublin just across the street. At dinner, I began thinking about how we were headed a see a play at Ireland’s national theatre that was written by an Englishman and performed for centuries all over the world. I thought about how that might be hard for the Irish, pulling in the British for their own entertainment—another look to the colonizer. I posed the question to others in the class. We talked about how the play was taking the place of a prominent Irish performance and how well…Shakespeare is Shakespeare.

Later, I began thinking about our discussion in class about forgiveness. This word carries so much weight. It normally only exists because of hurt projected on others. We ask forgiveness when we hurt someone, often someone we care about. We receive forgiveness despite whatever action we committed out of selfishness or pride. I think about how the picture of British culture being interspersed with Irish culture. Maybe this paints a picture of national forgiveness, or at least moves in that direction. We talked in class about how forgiveness allows us to move forward. Un-forgiveness only hinders progress.

After the play a few of us walked around Temple Bar, a vibrant district just south of the Liffey. We met a lot of people—some American, some Irish, and some British. We met a few local Dubliners, born and raised in and around the city—Joel, Andy, and a couple of Pauls. I met a Brit in the bathroom, we chatted, and I walked out to meet the other people he was with. I started thinking about how diverse Dublin is. For good or bad, it seems like an easy and attractive place for Europeans from nearby countries to visit. And Americans, obviously, love Ireland. The global mindset of people in Dublin gives me hope that we can both forgive and be forgiven—personally, culturally, and nationally.

 

The Abbey                The Palace

The Buskering Child

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While walking toward Trinity campus and The Pig’s Ear restaurant yesterday, my study abroad group came upon a Guitar playing busker. He was quite good, and there was a large crowd gathered around. We were on a major pedestrian thoroughfare that I had visited often to shop at while on my undergraduate Dublin abroad, and hearing his playing reminded me of that previous time in this place. Though I could not remember the street’s name, I knew that I had heard buskers before, though perhaps none had been as talented as this guitar player.

 

The busker’s skill was not what had gathered the crowd around him, though. A young child with a cherry red plastic guitar was standing a few feet from him, legs splayed, leaning over the guitar to seethe strings and plucking at them with obvious joy. This scene was, of course, picturesque in the extreme and, even if it was fabricated, I was struck by it.

 

This blond headed child was living an experience of early childhood joy. Whether he was playing that red guitar with the busker in a moment of circumstance or had been brought to that street to draw in crowds for the busker,  this moment, or those like it, would form a foundation for his development over the course of the rest of his life.  It is a unique experience–and one enabled by the individual qualities of Dublin–and, were I to have traveled all this way just to have observed this moment in a miscellaneous child’s life, the trip would be worthwhile.

 

Literary Alleyways

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Today, we had dinner at the Pig’s Ear and then saw a play at the gorgeous Abbey Theatre. The things we are doing and seeing are fantastic; that goes without saying. But I’m also really loving getting to know everyone that came on this trip and getting to spend time in such a beautiful place with wonderful people. After the play, Jolie, Randall, Sara, Kristen, and I went to a few different pubs. Our first stop was the Whiskey Palace for maybe half an hour, then we walked a few streets over to find another pub. I’m not sure what it was called, but the second pub we went to was amazing. A boy played covers of tons of songs we knew (strangely enough including another Man in the Mirror cover), and we had a great conversation about all of our favorite artists and shows we’ve seen. We also met some Irish men that told us about themselves and their families. A man named Paul taught us some new slang that I still haven’t decided whether or not is appropriate. We stopped to get overpriced hot dogs, fries, and pizza on our way out of the pub to our cab. Our cab driver (also named Paul), was as funny and kind as most of the other people we’ve all met so far on this trip. This picture was taken in a really cool alleyway on our way to the Whiskey Palace. It had photos of novelists and poets lining the walls, and we thought it was as good a place as any to stop for an obligatory selfie. We definitely missed Alex and Harlow!

Defining a Place

long hallToday a small group of us went to Trinity College to see the Book of Kells and the Long Room.  I was particularly struck by the latter, especially when considering place.  When preparing for the trip, I often saw pictures of the Long Room.  It is so iconic, in fact, that it is on the cover of my Dublin guidebook.  In the photos, the hall is empty.  It looks like what it is (or what I thought it was) – a library.  One can imagine oneself studying dutifully amid the stacks of antique books.  As an avid reader and amateur book collector, libraries to me are a sacred place.  I usually enter a library, especially like the one at Trinity, with the same reverence that I would a cathedral.

But contrary to, or possibly because of, the popular photos of the Long Room, what we entered today was little more than a tourist attraction.  The room was filled with people.  And although most spoke in the semi-whisper heard in libraries everywhere, it definitely did not have the sense of awe or gravitas that I was expecting.  What’s additionally interesting is that the behavior and energies of other people affected how I interacted with the place.  I fell right in with everyone else: snapping pictures, pointing at funny things or making jokes, and in general bringing brevity to the situation.

I could be mad about the way people, including myself, were behaving.  And I think that it comes down to how we define a place and how that definition should affect our behavior.  If the Long Room is above all a library, then it should be treated as such.  Or, if it is a “top sight of Dublin,” then it carries a very different kind of reputation.  What was strange was that it kind of had both.  People, myself included, treated it more as a tourist site, but we still whispered while walking through.  So I am left considering how much the title of a place affects the reputation of it, which is then perpetuated by the behavior of the individuals in that place.

To Love an Introvert…

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…is to give them a place to be alone.  Or at least this works well for me.  I happen to very much so enjoy the company of everyone I have met on this trip, but I also constantly find myself overwhelmed and just uncomfortable when I spent a good deal of time in public.  Like anything else, some days are worse than others, and today just so happened to be one of those days where I just wanted to think and be with myself.  I am fortunate enough to have the space to do this without fear of those around me reactiving in a negative manner (and thank you all for that).  Today I became very comfortable with one of my new favorite places on the University campus: my room, specifically the space near the window where I am very tempted to sit, but not bold enough to risk damaging the room.  Having this area to just sit and chill out is hugely important to my sense of okayness, and I feel like this trip might be very different for me if not for this personal area.  Right now I love with my mom, who is fantastic, but fairly overbearing, so this really is something that I appreciate.

Tiger Tiger Burning Bright

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Miscellaneous cat in Dublin, Ireland.

 

My cat Maddie, looking adorable.

My cat Maddie, looking adorable.

 

I am inordinately fond of cats.

 

Since early childhood, I have been very much a cat person, and that love of cats is strongly attached to my desire to forge a concept of place. When I was a child, as I mentioned in my previous blog post about my concept of place, a lot of things changed in my life and I really had a tendancy to latch on to things that provided me with a feeling of consistency. When my mother and I adopted our first cat, Sassy (a boy cat unfortunately named by the very young me after a girl cat in the movie Homeward Bound), we had previously owned a few other animals that, unfortunately, had died. The ranks of the deceased had recently come to include a beagle, Brownie, who had been put down after attacking and hospitalizing an elderly caretaker while we were away, and a stuffed surrogate dog puppet I had named the same that I found out the hard way had been infested by wasps.

 

Sassy hay became a constant in my life and, as my mother and I began moving from place to place again, he became a marker that I could look for when I wanted to find the place I belonged. Because of this association with belonging and with home, I have come to my inordinate fondness of cats, and I always feel a pang of nostalgia and belonging when I see one. It helps that cats, when of the friendly inclination, don’t seem to care where a person is from or what language they speak as long as that person is willing to give them pets. It’s as if they were designed by nature to communicate to strangers’ “here, even here, you can find a way to belong.”

Almost Home

  When I was 14, I moved from Wyoming to Georgia.  One of my first big memories was of going to the huge markets for the first time and feeling the absolute amazement and slight fear at the vastness and fast pace of the market.  I was so overwhelmed and confused at everything going on around me that I was not fully able to enjoy the markets.

I did not have that crazy feeling yesterday walking through Dublin for the first time.  I was blown away by how not-overwhelmed I was; I became comfortable with the city significantly faster than I had assumed that I would be able to.  Walking through the city just felt like something I could (and potentially should) do single day of my life from now on.  Everyone was so enjoyable, and we were having so much fun.  It became so easy to adopt the city, as well as my company.

A Stranger in the Fog

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Today, I took this picture of a stranger in the fog taking in the view from the Howth Cliff Walk. I considered showing it to him, but I realized that 1) he wasn’t speaking English to his hiking partner and might not understand me, and 2) he would probably be really creeped out by a random girl asking if he wanted to see the photo I had just taken of him. So I decided against it, but I wanted to show it to someone because it really captures both how incredible the views from this walk are, and how completely encompassed people are when taking it in. I’ve never seen anything like this in my entire life. I couldn’t believe how endless it seemed both while swallowed by the fog and later on when the skies were completely clear. In the moment we were all looking at the same thing, and whether or not we shared the same emotions about it, we still all stopped to take it in because it was beautiful. I loved everything about Howth today, from the amazing lighthouses in the distance to the late lunch we all got to share together at the Summit Inn after our hike. I also tried Guinness for the first time, and I figure there is literally no better place for that to be done. I’m really surprised how quiet of a city it has been so far. The streets, especially. I love walking down the streets of neighborhoods here and seeing all of the beautiful houses with the moss growing on their walls. It’s a once in a lifetime experience for me, and I’m happier every day that I was lucky enough to come and see this country.

(My feet do kind of hurt but I can’t be mad when everything is this pretty.)

A (Foggy) Meditation on Travel

IMG_1741I am lucky enough to have had a lot of opportunities to travel, and it has caused me to often think about the nature of “the traveler.”  Our discussions on place have brought this idea back to me once again.  I don’t have any good answers, so if that is what you are looking for, you have come to the wrong place (place!).  I thought, though, that I would take this opportunity to voice and perhaps unpack a little some of the pervading questions I have about travel.

I want to start by saying that I love traveling.  I deeply appreciate the opportunity it affords individuals to learn about other people-groups and cultures and to see oneself as part of a much larger whole.  However, I also often feel guilty about travel.  I think it is impossible to visit a new place without engaging in colonization in some small way. Obviously, I don’t feel guilty enough about this to stop exploring, but I do try to be mindful of it as much as possible.  I know that I have a tendency to want to project my own knowledge and understanding onto the culture that I am seeing around me, and I have a feeling that others do the same.

One thing I often catch myself doing is accentuating or exaggerating the similarities.  I take my own, American worldview and project it onto a new place.  “Everywhere has a McDonald’s, which means we are all the same!”  I think what I am really trying to do is find a common ground or a point of similarity, but what I end up doing often is ignoring the unique aspects of a place or culture by trying to force it to fit into what I already understand.  I end up “colonizing” a place by denying its complex history and the relationship it has to its inhabitants.

Or I swing too far in the other direction and idealize a place for being so different.  Yesterday as we walked, I saw into a row of back yards and saw laundry hanging from a line.  At the moment it felt very idyllic; a picture of a simpler life.  But I realized that I am romanticizing someone else’s real life.  Their laundry isn’t on display so that I can think, “Oh how quaint! How picturesque!”  Their laundry is on the line because after a long day of work, they had to come home and do laundry (I recognize that this too is a projection, that I am still attempting to write the laundry owner’s narrative).  So while addressing the fact that everything is not exactly as I already know it, I try to perform the balancing act of not “otherizing” everything by making it either idyllic or mysterious.

Finally, I colonize through my attitude towards other tourists.  I want an authentic experience.  Which, I think, is actually impossible for me to have because I am inherently inauthentic as a visitor.  But I desire to see “real life,” which means that there can’t be any other tourists around.  “Go away, Americans! This is my ‘real Irish pub’ and you are ruining it!”  In my attempts at a unique or authentic experience, I end up laying claim to a place that I have absolutely no claim to.  I am the American tourist.  I am the person I glare at when she or he enters my “secret” spot (usually that I found in a guide book).  So while I often think that tourists are grossly tourist-y and that I want to get off the beaten path, I try to remember that I am an outsider, a visitor, too.  While I may want to go off the beaten path, the people who actually live and work on that path may not want be stomping through it.

So, yeah.  Make of that what you will.  I don’t think there’s a right answer.  Travel is important. And getting off the beaten path sometimes is important too.  But it’s also crucial that I remember that real people with real lives inhabit the places that I visit.  The picture above shows just one small bit of a complex and beautiful landscape, and I try to remember that, even when it’s not foggy, as a visitor this is all I will ever see or understand of a place that I am visiting only temporarily.

Reading the Irish Landscape

In John Montague’s poem “A Lost Tradition,” he refers to the Irish landscape as a text: “The whole landscape a manuscript” (line 34). After reading this poem in class, I started to think of the different mediums and methods in which I experienced the Irish landscape and culture. My “reading” of the Irish landscape today began with a verbal presentation and discussion on theories of place and how these concepts relate to Irish literature
and history. Roaming through the James Joyce Library, I viewed a small selection of Yeats’ manuscripts and letters in glass case on display at the library’s lobby. In between the library and the Newman building, I stumbled upon a passageway with a timeline of Irish history, which provided me with a visual representation of Irish history and the fight for an independent landscape.imageimage

On the cliffs of Howth, I “read” the Irish landscape with each step up to the Summit. The dense, rolling fog over the awe-inspiring cliffs made me think of Rhoda Coghill’s 1903 poem “Runaway” where she writes, “Somebody must tell me something real / and that very quickly. / Someone must show me a thing / that will not disappear when I touch it / or fade into a cloud to walk through” (lines 1-5). Coghill’s poem and the foggy cliffs that I experienced in Howth (specifically the fog’s clearing to reveal Ireland’s Eye) seems connected to the ambiguity and uncertainty of the Easter Rising and the Irish Rebellion: the outcome unclear like Island’s Eye in the dense fog.