The Spirit of Atlanta: A Quest for Context of 1920’s Atlanta

To search for historic Atlanta is like searching for fragments of city scape blown apart by an enormous shotgun blast. There seems to be no correlation with what is there now and what has been. But it is exactly this process that defines Atlanta. Atlanta is a city constantly reinventing itself. Perhaps we learned that, from the Civil War, we may be forced to reinvent ourselves. Even today, Atlanta struggles with its core identity. From very early in its history a “northernness” was often noted about Atlanta. Henry Grady was one of the foremost champions of this “New South” concept, that we ought to diversify our economy, and become more industrious like our northern neighbors. From these elements an “Atlanta Spirit” grew, a spirit thirsty for capital and economic growth. Modeled after the Chicago World’s Fair, we organized numerous expositions. We compared ourselves, not to Birmingham, Charlotte, Savannah, or even Chicago, but to New York. Atlanta was eager to distance itself form its agricultural neighbors, and with this distance came a disdain for the past. Nothing was sacred in Atlanta’s quest for recognition. No relic should stand in the way of urban growth, progress. It is from this setting that we can define Atlanta history into 5 major eras: Atlanta’s Founding Reconstruction Turn of the Century Atlanta Demolition Reurbanization ATLANTA’S FOUNDING Atlanta began as a simple point from which to begin construction of a railroad. It’s geography was chosen because it seemed a suitable route to the Chattahoochee River, not for its suitability to become a great city. This railroad … Continue reading

3D Atlanta Updates & Other Tidbits

Hey Guys! Couple of new updates to share with everyone about the 3D Atlanta Project! First off–in two weeks we should have 3 completed models of architecture to show off! Which is pretty exciting! Wasfi, Nathan, and I are hard at work getting them ready! The other SIFs are currently working on compiling their historical research into interactive pieces. What I mean by that is this: If they find something on Coca-Cola from the 1920s that is relevant but maybe we don’t have enough information to fill up,say an entire booklet, we can simply hang up a flier on a building’s wall that a player can interact with. So the question then–is what is this interactivity supposed to look like? After Discussing a lot of different options, we came up with the simplified point-and-click idea. The point-and-click paradigm is well known and intuitive. We aren’t trying to create a new paradigm of interactivity–rather utilize pre-existing paradigms of interactivity to change a paradigm of educational interest and engagement. So–“Point-and-click”–which some of you might be familiar with from the ubiquitous mystery search games that are all over app stores and Steam, or from certain classics from Sierra or Lucas Arts in the 90s (Secret of Monkey Island, Quest for Glory, etc.) and perhaps the more well-known Myst series. In our environment–although it is a full 3D environment from a first-person perspective–the point-and-click interface simply means than when the player’s cursor,(which can be controlled from a mouse, or if the object is simply … Continue reading

#nicehashtag – Building a data-driven sculpture

Since early fall 2014 I’ve been working on a data-driven sculpture for HLN called “#nicehashtag” that is now installed in the CNN World Headquarters in here in Atlanta (if you take the Inside CNN tour you’ll see it outside Studio 7). Programmable Hue bulbs change color to reflect realtime sentiment analysis of Twitter. The algorithm accesses Twitter every few seconds and pulls the most recent tweet into its program, determines whether the tweet is positive, neutral, or negative, then compares it to previous tweets and converts it into a percentage that it stores in memory. When that percentage reaches a certain threshold, the color changes. My goal with this project was to consider how we use technology to interact with each other, and how that affects our emotional connections. Screens have enhanced and expanded our communication capabilities enormously, but there are still concerns about what it does to our ability to empathize with others. #nicehashtag is a physical representation of internet emotion, at least within the Twitterverse. The challenge with any technologically-enhanced artwork is that the novelty of the tech will overpower the concept that (hopefully) supports it. Using tech in art just because it’s there is seductive but also dangerous for the above reason.

New Semester–Same Exciting Projects

Hey Guys! *long sigh of relief* Finally on the other side of a flu storm that started last week. The other good news is that I get to give you guys some updates on all the projects I’ve been working on. Let’s start with the Digital Signage Project: I turned in a final prototype for the Digital Signage Project to the Exchange to start the process of getting it on campus. It’s been a long road with that project but it’s worked out great! Both hands can be used to interact with the objects, but only the right hand can interact with the arrows that cycle through the different models. It will be very easy to add more models as we need them–I just need to drop a few files, add a few lines of code, and recompile the project to a flash drive. The colors and fonts used in the project are all official Georgia State University colors and fonts, and we even have our own official logo for the SIF program! If you guys get a chance, go play with this project at the Exchange and send in any feedback! It’s a basic prototype right now, but with time it can be expanded to do more! My main focus the past few weeks has been split between the 3D Atlanta project and the new NextEngine Scanners we have at CURVE. NextEngine Scanners: These things are great! They do a great job at getting small objects scanned in at … Continue reading

Learning from a Legend

This week I was able to shadow a great musician and filmmaker from Malaysia named Pete Teo (google him). He is a Chinese born Malaysian and I really got to learn a lot from him. His journey that led him to film started as a music composer, to songwriter, to musician, to actor, to filmmaker, and now organic farmer. I kid you not that is my same journey. Before I met Pete I was shopping for an organic coffee farm.  So here are some of the take aways from our conversations. 1. As a filmmaker, it doesn’t matter what equipment you use. It can be a cel phone, an ipad, a digital camera, or even a camera that shoots on 35mm. Whatever it is you use to record media will add to the effect or character of your film. The media you use says the time period you live in as well as many other things such as social class. This part of our conversation reminded me of my film theory classes whereby we learned that the camera is actually a character and not just a mechanical device. 2. Pete’s films are political. He is a reformer and wants to see his country united. As a  result, he has been questioned and followed by the secret police of Malaysia. He released 15 short films on the internet 2 days apart and gained instant fame. His first film had 15 million views in less than two days. He broke a record … Continue reading