Daughters of the Dust: The Visual Style of Julie Dash
History has been told through fairytales, passed down through generations by our elders, and written in history books. These stories have been defining the present and molding the future for centuries. We learn to base our reactions and decisions on the “would haves” and the “should haves” of our ancestors. Whether you follow in footsteps and attend the same schools or even have the same jobs, you’re basing your historical past decisions. The traditions you enlist in life become an intriguing addition to the stories that will be passed along to your family’s future members. In some instances, these stories become more significant and make history by being told in a larger format.
Writer and Director Julie Dash took the stories of the past and found a way to keep them alive by sharing them with the world. Daughters of the Dust is something I’d call Dash’s passion project. She began the narrative story, loosely based, from her own father’s past, and after she completed UCLA’s Graduate Program, she received funding for the film. The movie was released in 1991, and Dash’s Griot style storytelling received critical praise. The theme of “family” makes a strong impact throughout the movie’s entirety. Her use of dialog and colors gives off a strong representation of a tribal community that has yet migrated to the Western states. I also appreciated the motif of a camera and photographing the family. This not only represents part of the past but keeps stories of traditions and storytelling viable.
The artistry and expressive style with Dash’s characters throughout the film bring emotional impact to an audience. This not only creates an attachment but personifies what we see on screen. There are moments when you compare characters with members of your own family. Within your family hierarchy, you may have a grandmother who embraces traditions and the past’s value, much like Nana Peazant. Perhaps you have an Aunt that is as negative as Haagar or a strong cousin, such as Yellow Mary. Dash manages to find a connection between the Gullah tribe and links this to families in general.
Dash also uses strong use of narrative with voice overs in both Illusions and Daughters of the Dust. This method gives a poignant insight to either the main character or a supporting role (Eli and Eula’s unborn chile). The narration is done with such balance that it isn’t about telling the story but providing depth to an underlying meaning.
I believe Daughters of the Dust is relatable to everyone and cinematic wonder. Visually, the film is beautiful from all angles. Her setting and chosen shots emulate a family embracing the old and new ways of life. Traditions and values of the Peazant family remain strong, even with disagreements. The dusty old can that Nana Peazant carries is a reminder to the family that their bond is sacred. Whether they are together or apart, they will forever remain as one unit. Daughters of the Dust may be approaching the thirtieth anniversary, but the film remains historic.