The Embassy of Cambodia, Day 6, Cashwell

The main craft element that really struck me was the constant smushing together of opposites in the same paragraph: rich and poor, the red Ford Focus (kind of lavish for a nun’s vehicle) in front of the nunnery, the idea of the old person and new person, talking about the Holocaust over pastries, trying to sound playful and not disgusted when telling Andrew to hush his mouth. All of these things and a few others carry on a theme of division throughout the piece, which I find brilliant since a Fatou struggles to decide whether or not she is a slave and also because she seems to be experiencing what is often termed as. “double-consciousness.” She is living and working in London, but as Andrew states and from what we can tell, she is not like other girls who live in London. Because of this lack of identity and confusion as to her place in the world, Fatou reminds me a little of Nazneen and Hasina. Like Hasina, she is struggling to make ends meet and keeps getting knocked down. Like Nazneen, she has trouble with being spiritual, so life is a little more bleak than it would be and this loss of spirituality from living in London instead of Cambodia makes her identity fade a little. All in all, Smith was very clever in how she gave meaning to things in the story, and this was overall a great read.

 

Last post and last night in London. I’m going to miss this place, but I will definitely take pieces of it with me. :’)

Day 6: The Embassy of Cambodia

I love the metaphor of badminton in “The Embassy of Cambodia.” Early on Fatou notices the pattern in the games of “pock, smash,” and I feel like that carries over to her story. She repeatedly seems to be floating though a possibly good situation only to be smashed back down. The numbers in the breaks tell the story of a shutout loss in a game of badminton, ended in 0-21. It’s a beautiful through line. Even when the story seems to take a good turn, the next break keeps counting up the scoring deficit until the final loss, the loss of her job. I also love how the story begins and ends with the use of the first person plural narration. It helps the reader see Fatou as any person on the side of the road in an obvious bad spot who we couldn’t or wouldn’t help.

 

I can believe this trip is almost over! This has been completely amazing. You guys all rock! I’ll never forget this experience.

Day Six

I can’t believe I’m writing my final blog post. It is so bittersweet.

The Embassy of Cambodia left a very loose ending which  disappointed a lot of readers; however, I enjoyed Zadie’s Smith’s style, and I feel as if it was designed to make the readers think. I could not determine who was actually telling the story, but I assumed that it had to be someone that had been paying close attention to Fatou as she journeyed through the neighborhood. This character brought the Embassy of Cambodia to life. I had no idea what this was, or what the people on the other side were doing, but it sure made me want to climb inside and see for myself. I think the story shows how we can be on the outside of someone’s life and looking in, imagining what we want about someone. Fatou imagined the lives of those who were on the other side of the wall just as the people who watched her on the side of the streets formed their opinions of her sitting on the sidewalk. They could only imagine “a violent conclusion or a hopeful return” for her.  I think this implies that people should take a moment to just check on someone! I see this all the time in Atlanta especially! People are so focused on their own lives, where they have to be, what they have to do, and they won’t stop to see how someone else is doing. But it only takes a few seconds to ask someone, “how are you?”

I try to make someone’s day even when I can’t brighten my own. I believe if any one of those people would have stopped and talked to Fatou, the story would have ended differently. But now we don’t know what happened with Fatou, or how life turned out for her. And we never will!

Zadie Smith made the characters seem so real and she raised some very intense points in this short story. I could relate to Fatou’s battle with her faith and religion. I feel that this story was short and complete and it served it’s purpose of making the reader’s think.

The Embassy of Cambodia – Amanda

I noticed some of the characters in this story are in ways similar to those in Brick Lane. When Andrew was introduced, I remember thinking he was similar to Chanu. He’s interested in education, likes to explain things to Fatou, has a (probably smaller) belly that Fatou sees fold over on itself, and is characterized as a dreamer. Fatou also thinks he is a good man, even though he has flaws. Fatou’s relationship with his is different than Nazneen’s with Chanu because she chose to continue the relationship, however, Andrew is the person who initiated the relationship. Like Nazneen, Fatou has limited resources and opportunities in the new country she is in. Fatou is in some ways more more independent that Nazneen was initially because she worked and went out into the world, yet the circumstances she was living under really left her just as poorly off as Nazneed would have been. Nazneen had no way of supporting herself, and had no significant about of money to fall back on if the need arose, and Fatou didn’t really either, because even though she was working, she had no money, and probably would have had no references to get another job. I wonder how Fatou will get through after having been fired, and if she will end up marrying Andrew. If she does marry Andrew, I wonder how much of a factor necessity will be for her.

The Final Blog Post

Last post after an amazing and fun filled British week, so sad!

With that said, “The Embassy of Cambodia” was easily my favorite of the two short stories that we read this week. I really liked the characterization of Fatou and how she seemed to find happiness in what had not been a very happy life. She had her faith and she had swimming and even a possibility of a relationship with Andrew, and even in this weird postcolonial world where she was a worker for this awful family, she seemed at least content.

Going further off characterization, the entire family is hilarious and amazing in how God awful they are. I especially love how when Fatou literally saved Asma the family responded by just awkwardly thanking Fatou and then making fun of Asma for swollowing the marble in the first place before switching back on the tv like nothing had happened.

Overall, this was a wonderfully written story, but for me it was really the characters that stood out verses the overarching plot line.

The mysterious kor-coping and the theme of the moon

Professor, I goof up and submitted the wrong story review for the blog so I am going to blog about Kor tonight since I blogged about Cambolia last time. I had written them out but I accidently copied and pasted the wrong one from my computer

for the mysterious Kor I feel that this story has influenced a lot of popular works and especially young adult novels, because I have read in my own personal lecture time so many books with the concept of a terrible situation (not always war, but some negative force) and the characters making an imaginary world to cope with the horrors they face. I talked about Pan’s Labyrinth in our group meeting, etc. I’m sure that this story is not the first of its kind to have this theme, but it’s definatley the most overt that I have seen before a certain time.

Now, what I found very surreal was the concept of the moon how it took on its own life. The moon is so stereotypical as a force that is pure, lovely, Devine, etc. I have never read a story where the moon was a force to be feared and dreaded/controlling. During the Blitz tour that we took we learned that the enemy planes would boom Britain at night time in the cover of the darkness. However, the full moon and its light was scary because that would mean the enemy would have b.etter sight and a heighten ability to harm more people. That bit of history really brought the story to light for me

The Embassy of Cambodia

I really ejoyed this story, particularly the perspective shifts and how the story showed the separation of classes. At first I was confused by the recurring badminton game and Fatou’s fascination with it but by the end I realized the shuttlecock was the only thing you could see over the high embassy wall–the only thing Fatou could see of the high class residents behind the wall. I liked when the story switched to first person to span out from the story of Fatou to show us a bigger picture because I thought it gave more impact to when things were switched back to third and following Fatou. It’s an interesting strategy because normally first person would be used for the closer perspective but the switch of the usual really works for this story. Plot-wise I thought it was heartbreaking that Fatou didn’t consider herself a slave because she had minor freedoms, and ultimately the Derawal family fired her because she saved their child and felt some sort of guilt in continuing to enslave her. I think I missed some key aspects of the story because I don’t know the history behind Cambodia so I’ll be interested to research that further.

Day 6 – The Embassy of Cambodia

Fatou’s life is more than restricted by her employers.  She is allowed to leave the house, but she is not paid in money for her work at the  Derawals.  Instead, she is paid “for the food and water and heat she would require during her stay, as well as to cover the rent for the room she slept in.”  The narrator states that Fatou often “wondered if she herself was a slave” (Smith).  This reminded me so much of the struggle of the lower class in North and South and the lower class of South Wark in London we learned about during our Darkest Victorian London Walk.  The lower class of South Wark had similar accomadations as Fatou; their employers often paid them in vouchers for specific stores, so they couldn’t spend their money elsewhere if they wanted to.  “The Embassy of Cambodia” is set in modern times, and in comparison with the same issues of the 19th century lower class shows that worker’s rights are still a vital discussion.

I do not know much about Cambodia itself, but from what I can gather from the text and from light research, some terrible things happened within its history: “I doubt there is a man or woman among us, for example, who – upon passing the Embassy of Cambodia for the first time – did not immediately think: ‘genocide'” (Smith). I wonder what the connection of the Embassy of Cambodia is with Fatou’s life, or what exactly it is symbolic of.  Also, does anyone have any interesting insights on the symbolism of the shuttlecock?

“The Other” and pov shift

1. I loved the establishment of the other in Fatou as the “other”. She is the one who can’t use the nice warm pool and all the nice facilities that the rich guest can use. She has the use the trashy beach, with all the pollution. In general I liked the establishment of the theme and how the theme carried on

2. However, I am a bit confused about the point of view shift. Because in the beginning we started with an indirect third person then there was a shift to a very intimate first person. I’m a bit disappointed that we won’t meet tomorrow because I would like to hear everyone’s thoughts on that

Not A War Story, Not A War Post

I feel like I loved so many parts of this story, but I don’t know if I fully understand it, though I don’t if I was supposed to fully understand it. I loved, loved, loved the imagery of the moon in this story. Especially when it compares it to spotlights of the blitz era. It really hits a lot harder after the tour today too, because the characters in this story are so young and they’re forced to live in this constant state of terror where they could literally be hit by a bomb that they couldn’t even see or hear until it was right on them.

Also thinking about it and talking about it after the tour, it’s insane to even put myself in this situation. If my boyfriend had come home after being in the army for an extended period of time, I would want to be elated. But Pepita and Arthur can only find excitement in a mysterious and false world that isn’t touched by the blitz, both because it isn’t real but because it’s from a time in their lives before the war. Overall, I think the tour today makes the characters more interesting, but also makes the story so much more terrifying and heavy with anxiety.

Skip to toolbar