Built Environment Description: www.georgia.org

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The State of GA logo displayed at the top left of the webpage.

For my Digital Built Environment Description, I chose www.georgia.org. This is the website for the Georgia Department of Economic Development (GDEcD), that plans, manages and mobilizes state resources to attract business to the state of Georgia. The GDEcD also promotes the state as a tourist destination and a site for on-location filming.

The top of the www.Georgia.org homepage

The top of the www.Georgia.org homepage

When you first get to the homepage of the site, it doesn’t quite present like the website of a government agency. It has a slightly flashy, modern feel to it, with the main color scheme being composed of a grey patterned backdrop and white panels with text on them. In the top left corner, the website has a row of flags that change the website into the respective language of that country and redirect to a different page on the site regarding international trade with that country. This adds significantly to the functionality of the website as well as it’s legitimacy in it’s efforts to attract foreign business to the state. directly below this is a row of icons linking to different social media websites like Facebook and Twitter that allow you to follow the GDEcD.

Moving on down the page, the next feature is a row of menus with drop down sub-menus that appear when you hover your mouse above them. The names of the menus (with subtitles in parentheses) are: Competitive Advantages (Incentives, Workforce & Lifestyle), Business Resources (Growth, Relocation & Innovation), Industries in Georgia (Key Sectors & Strengths), About Us (Contact & News) and next to that is a search bar to search for keywords within the site.

An example of the drop down menu

An example of the drop down menu

The most striking feature, to me, is the scrolling billboard just under the row of menus. It displays news and other important items on a timer of about 30 seconds and also has an option to pause or move forward or back one slide. The current installations are an ad for Georgia tourism, an ad for Georgia as the #1 state for business, a poster stating Mercedes-Benz’s intention to open facilities in Georgia and a poster stating that Georgia is home to 20 Fortune 500 companies.

The Newsroom and Events section

The Newsroom and Events section

Scroll down further and you will find a list of dates of important events. Some of these events include: Brazil Trade Mission, Greater Women’s Business Council, and Leadercast Live – Architects of Tomorrow. To the left of this is a “Newsroom” column with recent stories posted in chronological order. It even has a section below this that allows the user to select an individual sector to view stories within that sector only. These sectors include: Commerce, Tourism, Centers of Innovation, Entertainment, Workforce, Arts and Music. then, at the very bottom of the page is a black backdropped section with contact information and a reiteration of the menus at the top of the webpage.

Very bottom of the webpage

Very bottom of the webpage

 

 

 

 

 

Overall, the spatial and visual modes of this website combine very effectively to give a professional impression to the casual user. The site is very much oriented towards business executives and others who have the ability to bring commerce to the state (as evidenced by use of certain buzzwords like “Incentives”, “Innovation” and “Sectors”), as well as individuals who may bring income to Georgia as tourists.

Internal Built Environment Description: Rhodes Hall (part four)

The inauguration of Jefferson Davis

The inauguration of Jefferson Davis

Depiction of Stonewall Jackson at the first battle of Manassas

Depiction of Stonewall Jackson at the first battle of Manassas

Robert E. Lee right before surrendering

Robert E. Lee right before surrendering

This is, in my opinion, the most fascinating part of the entire mansion. These three painted-glass window panels were installed to depict the rise and fall of the confederacy. There was a lot of southern nationalism around this time in history as the southern surrender was approaching it’s 40th anniversary and several Confederate generals died right around this time. The first panel depicts the inauguration of Confederate president Jefferson Davis above and the Battle of Fort Sumter below. The second panel shows the Confederate victory at the First Battle of Manassas with “Stonewall” Jackson earning his nickname. Finally, the third panel depicts Confederate General Robert E. Lee saying goodbye to his soldiers right before departing to go sign the terms of surrender at Appomattox Courthouse. The level of detail of these fixtures is absolutely incredible; you can get up close and see the individual soldiers and details of their faces and uniforms. All three windows are divided by portraits of over a dozen important Confederate figures.

Window in a closet below the staircase

Window in a closet below the staircase

Finally, this last window kind of put into perspective the mindset of the architect and of Amos Giles Rhodes when this house was being designed. This window is in a small closet below the staircase and the rest of the windows and was supposed to be symbolic of taking down the Confederate Flag and storing it away in order to let go of the past while still honoring the sense of southern heritage that many southerners then and now associate with the Confederacy.

Internal Built Environment Description: Rhodes Hall (part three)

Back room on the first floor that is now used as an office

Back room on the first floor that is now used as an office

The contrast between different styles of interior decoration in the home give indication of their purpose. The grandiose front rooms (dining room, Parlor, etc.) have some paintings on the walls and ceilings or expensive wall paper and were intended to be used for entertaining guests, while this out-of-the-way back room is very sparse except for some woodwork around the door frame.

Birds-eye view of the Rhodes Center layout

Birds-eye view of the Rhodes Center layout

Directory of stores in Rhodes Center

Directory of stores in Rhodes Center

Another captivating chapter in the history of the Rhodes Hall came in 1937 when Atlanta’s first shopping center, Rhodes Center, was opened. It consisted of one story marble-faced store fronts running along the north, west and south perimeters of the property. In an interesting combination of private-residence-turned-government-property mixed with retail space, this is a perfect example of how the changing needs of a community affects the built environment it occupies. Today only the vacant buildings along the south side of the plot remain as a visage of the once bustling strip mall.

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The remaining south building of Rhodes Center

The remaining south building of Rhodes Center

Internal Built Environment Description: Rhodes Hall (part two)

Vaulted Ceiling of Living Room

Vaulted Ceiling of Living Room

Painting of coastal Georgia on wall of the living room

Painting of coastal Georgia on wall of the living room

The perimeter of the living room floor is lined with intricate patterns using woods of different shades

The perimeter of the living room floor is lined with intricate patterns using woods of different shades

Stained glass above the front door

Stained glass above the front door

The Grand stair-case with the painted glass windows behind it.

The Grand stair-case with the painted glass windows behind it.

Banister of the Grand stair-case

Banister of the Grand stair-case

The first thing I noticed when walking into the house is the stained glass window above the front door bearing the overlapped letters “AGR”, the initials of Amos Giles Rhodes (which seemed slightly egotistical to me). The next thing you see after passing the threshold of the front entrance is the expansive, very open landing area/living room with exquisite woodworking on the walls and scenes from the Georgian and Floridian coast painted along the tops of the walls. The vaulted ceiling holds light bulbs in each individual square compartment which was a very novel feature for homes at the time. The room contains the large semi-circle grand staircase to the left and is topped off with a large wood burning fireplace (unique in that fact as most of the other fireplaces are coal-burning). Another impressive feature of this room is the Banister on the stair-case, which is carved into a very ornate lion with a shield displayed across it’s chest. The house had a slight antique-esque smell that is only ever authentically produced by buildings that are similar in age to this one. This smell is very much that of aging wood, something to be expected of Rhodes Hall as the interior is rife with wooden ornamentation (the most striking of which being the massive mahogany grand staircase). This earthy, postbellum atmosphere is completed by the signature creaking and protesting of the still-original floorboards as one walks across them, especially on the staircases.

Fireplace in the Parlor

Fireplace in the Parlor

Another coal-burning fireplace

Another coal-burning fireplace

Main wood-burning Fireplace

Main wood-burning Fireplace

One fascinating recurring feature of this estate was the mosaic tiling around the 12 fireplaces. They all still have the original stone work and show varying degrees of age and use.

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Internal Built Environment Description: Rhodes Hall (part one)

Photo of Rhodes Hall from the intersection of Peachtree Street and South Rhodes Center

Photo of Rhodes Hall from the intersection of Peachtree Street and South Rhodes Center

Sign Marking Rhodes Hall as Headquarters of the Georgia Trust

Sign Marking Rhodes Hall as Headquarters of the Georgia Trust

State of Georgia Historical Marker for Rhodes Hall

State of Georgia Historical Marker for Rhodes Hall

For my Interior Built Environment Description I chose the Rhodes Hall, the Late-Victorian home also known as “The Castle on Peachtree Street”. The house was built by Amos Giles Rhodes in 1904 with the fortune he amassed through his founding of the Rhodes Furniture. Rhodes decided on a Romanesque-Revival architectural style after being inspired by castles in the Rhineland during a trip to Europe, with the outer facade of the building being composed entirely of granite from Stone Mountain.

One of the first things to strike me when I saw the Rhodes Hall from the street after arriving with a few minutes to spare before my 1:00 pm tour was how out of place it looked in the modern cityscape; it’s next-door neighbor is a branch of the “EquiFax” firm with more modern office buildings and a gas station in the immediate area. It gives off an interesting “southern aristocracy” kind of atmosphere with a wrap-around porch combined with the castle architecture and courtyard style front lawn. The sounds from the exterior of the house consists mostly of the hum of traffic and pedestrians.

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Side View of Rhodes Hall

Side View of Rhodes Hall

Side View of Rhodes Hall

Side View of Rhodes Hall

External Built Environment Description: Clay Family Cemetery

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For my Built Environment Description, I chose the Clay Family Cemetery located at 31 Clifton Street NE in the neighborhood of Kirkwood, Atlanta. This burial ground was created when Jesse Clay emigrated here from Virginia in 1826, with headstone dates ranging from 1860 to 1936, with unmarked burials continuing into the early 1970’s. The Clay property made up one third of the current neighborhood of Kirkwood, with the other two plots being from the properties of the Kirkpatrick’s and the Dunwoody’s (hence the name “Kirkwood”).

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The graveyard is bordered on 3 sides by yards and houses and on the fourth side by Clifton Street. The dilapidated front fence had a gate with the family name “Clay” on it in white block letters. The ground is mostly red Georgia clay with piles of leaves and some patches of yellow wildflowers. When I arrived at around 1:00PM there were birds chirping and a woodpecker softly pecking. The air smelled like any other partially wooded Georgia neighborhood with a slightly smoky tint that I assume was coming from someone’s fireplace.

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The cemetery was obviously quite old as a good many of the graves were crumbling and beginning to tip while others were already toppled over completely. Another indicator of its age was the presence of many short graves occupied by children who likely died of diseases that are now easily preventable. I also found a seemingly morbid amount of gravestones whose inhabitants were only 18 to 21 years old when they died.

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The graves were somewhat datable by their type. The oldest graves had headstones which were elaborately decorated with granite Victorian-style statues (and obviously, these were in the worst shape). The newer headstones were plain white stone blocks that were placed fairly recently based on the lack of wear and patina and some, which must have been rediscovered extremely recently, were marked only with neon orange plastic stakes as they must be awaiting placement of a new white stone marker.

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Some of the graves had personal effects placed in front of them: a seashell, an old jar and even a black women’s handbag. There was also some trash strewn around, mostly old pint liquor bottles, soda bottles and plastic bags. I even found a shard of a vinyl 45 record and an old Buick hubcap! I was surprised that I didn’t find any cigarette butts or cigarillo wrappers, as that is by far the most common form of litter that I’ve come across living in Atlanta.

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Surprisingly, the burial ground was actually a very peaceful place to wander around and relax while reading the headstones. This is usually not the case in my experience with graveyards. Usually (and this is truer with graveyards that are still in use and have recent additions), cemeteries make me uneasy and give a very eerie and morbid atmosphere. Honestly, to me, the saddest or most morbid thing about this place is how poorly it is maintained as evidenced by the rundown fencing, the abundance of liquor bottles that have been there long enough to have their labels worn off, the poor condition of the grave markers and two large trees that have been cut down and then cut into sections and left on the property. Other than this, the Clay Family Cemetery fits very seamlessly into the surrounding framework of houses. The houses immediately around the site show the varying degrees of the gentrification of Kirkwood as a whole, with some homes being quite large and modern and others smaller antiques with bars still bolted onto the window frames.
While the majority of marked graves predate most of the research that I did in my Annotated Bibliographies of the built environment of Kirkwood, some of the later-era unmarked graves are relevant to that research. While the racial demographics of inner-city Atlanta neighborhoods (including Kirkwood) were changing from the end of WWII up until the 1970’s, Clay Family Cemetery eventually came to include the remains of the growing African-American population of Kirkwood, a practice that “preceded others in the south by roughly 20+ years (Williamson)”. This leap forward in tolerance of other races is a perfect example of how the built environment reacts to the racial makeup of it’s inhabitants.

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While unrelated to the purpose of this post, I thought it was interesting and somewhat cliché that near the end of my visit to this site, this black cat popped up and started following me around, even letting me pet her for a while.