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His & Hers: Designing for a Post-Gender Society (Summary 4)

February 15, 2016 - Reading Summaries

“One of the United States’ leading textile designers argues for a gender-neutral design as the next frontier in the workplace.”

The Modernist mass production model, paired with this male-centric paradigm, lingers even in today’s information age the world of technology and web design is also a very male-dominated field, with 85 percent of tech workers at the top companies being male. With Mother Nature becoming more important, sustainability started coming into play, and an emphasis on windows, daylight, and views has accompanied that. In the workplace, the barriers and hierarchies have started to come down as women have become more prominent. The time is ripe for designers to start questioning how they incorporate gender sensitivity into their work. Designers, who should focus a critical eye on society’s issues, need to work within this discourse and help promote acceptance and change. Historically, men have occupied power roles in offices, so male necessities dictated the design of prime spaces, while the female secretaries occupied ancillary areas. But today’s design landscape is still deeply rooted in Modernism, a movement shaped by a predominantly male perspective. Traditional masculine and feminine roles are being challenged through advances in science and technology, and by cultural shifts stemming from the evolution of sexual politics and media depictions of gender. And, of course, the LGBTQ rights movement has made many inroads, including the gradual acceptance of same-sex marriage. Identity is no longer clearly defined as female or male, but by increasingly visible manifestations of sexuality or lack of. Alexander Wang’s women’s coat from Fall 2015 has masculine tailoring with a military look, while Annemiek van der Beek’s Primal Skin makeup line has been designed to be appealing to the male buyer. In 1995, just after her transition, Martine published The Apartheid of Sex, a manifesto that insisted on an overhaul of “dimorphic” gender categories, arguing: “There are five billion people in the world and five billion unique sexual identities. But Martine Rothblatt, the trans CEO of United Therapeutics, defied traditional roles to become the highest-paid female executive in the United States even though she was born biologically male. People are typically assigned a gender and history, but they can decide what gender to identify with beyond this. In the past, transgender people were viewed as outcasts, certainly in corporate America. There are schools that are accepting of that, and, as designers, we can’t fall behind in embracing that, too. Boys look like girls, girls look like boys, and androgyny has become commonplace. Children in middle school are asking to have their gender unspecified or changed. There are colleges now where students are not putting their gender down on forms. With the confusion of gender roles today, outward appearances are often confusing. But this is an essentially human phenomenon, and we need to design for the accumulation of different human beings who are out there by being respectful to individual needs, and creating environments in which people can have their own individuality. Of course, bathrooms are only part of the puzzle in addressing gender inclusivity in the office, but they are spaces that are sensitive to such personal issues. Big companies like Google are adopting gender-neutral or unisex bathrooms, in addition to conventional ones, to allow all individuals to feel comfortable, safe, and included and not have to choose a gender while in the workplace. On the employee’s return, both male and female coworkers went to human resources and said, “We don’t want this person in our bathroom. We are only at the very beginning with gender-neutral design, but having safe places for anybody to function and do what they need to do, no matter who they are, should be our first step. Making people feel accommodated, whether it’s in a public space or office parallels the bigger conversation about universal design. ” How can designers help address a situation like that, especially in a work culture where everyone is expected to collaborate closely. In a recent case, an employee underwent gender-reassignment surgery during the summer break. In our post-gender world, masculine and feminine definitions are being switched and obscured. Corporations have taken note, and bathrooms have become the focus of this change.

 

“His & Hers: Designing for a Post-Gender Society – Metropolis Magazine – March 2015.” Accessed February 15, 2016. http://www.metropolismag.com/March-2015/His-or-Hers-Designing-for-a-Post-Gender-Society/.

One thought on “His & Hers: Designing for a Post-Gender Society (Summary 4)

sjohn7

This is a comment that I am leaving as an evaluation of this site and the accessibility of course information and class work in this space. This site is designed very well and all course information and entries are easily accessible and labeled correctly. The only issue to work on is tagging each individual entry with more tags and categories, otherwise this space is designed and done very well!

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