Hegeman, K. (2016). Conversations in clay: Engaging community through a socially engaged public art project. The Journal ofArt for Life. 8(2).

“Conversations in Clay: Engaging community through a socially engaged public art project” describes the 2013 public art project installed on the Atlanta Beltline known as “Conversations in Clay”. Kira Hegeman writes about how the project created a space for community members to communicate and make art together, and how these activities were meant to make an impact. The project was a part of the public art festival known as “Art on the Beltline”, which provides spaces for artists to create public art along the bike/walking trails. Hegeman spends the first half of the article describing the goals of the project and how it was going to work. Hegeman explains that one of the priorities of the project was to initiate conversation and social interaction through art making. She says, “Conceptually, the project was a fusion of public are and community art”. Her and her colleagues chose to use Georgia clay for the sculptures in order to allow a feeling of connection to the location. They also chose a theme of “dreams” because it “reinforced their initial goal of opening an environment for conversation through the outlet of art making”.

Hegeman spends the second half of her article actually outlining how the project turned out. The project had four sessions, each with different turnouts. She describes how the third session was nearly ruined by a rainstorm, but how the forced collaboration of the participants created a feeling of closeness early on in the session. Hegeman also gives specific examples of some participants, such as a woman who sculpted her “first novel” as a reflection of her dreams, and how a family of four created sculptures influenced by dreams they had had in their sleep.

The project outlined in Hegeman’s article really portrays the abilities of the Beltline, specifically the “Art on the Beltline” project. Ryan Gravel designed the Beltline with the idea in mind that it would create an environment that catalyzed social interaction amongst everyday people, and this article reflects a perfect example of that. Throughout the article, Hegeman cites several sources varying from other art journals and newspapers.

The very end of the article describes Kira Hegeman. The article was written in 2016 while Kira was pursuing her PhD in Art Education at UGA. She also worked as the Art Director for an organization in Thailand called Art Relief International, where she grew her interest in public art.